DAN JACOB WALLACE

In 1958, High Fidelity magazine published the following article by avant-garde composer Milton Babbitt. Babbitt is known for taking serialism to the extreme and for being an active proponent of the modernist movement. This isn’t as cool as it might sound. Fortunately, the sort of attitude in which he took so much pride is increasingly [...]

This is an essay I wrote during a recent period in which I was interested in the question of to what extent, if any, emotion as an inherent property of music contributes to our emotional experience of music as listeners. I first look at some of the prevelant existing ideas on the topic (especially from philosophy [...]