DAN JACOB WALLACE

Back in October, Marnie Stern’s dense guitar, frenetic energy, and songcraft grabbed my attention. While sounding of her time, she also sounded unique and fresh. I made a mental note of her, but didn’t investigate further until coming across a recent article by Sasha Frere-Jones in the New Yorker (Jan 3, 2011). The article introduces [...]

(I’ll get this obligatory preface out of the way quickly: It’s been a long time, I’ve neglected my blog, I’m mad at myself for it while also forgiving myself due to the understandable circumstances in which this transgression occurred. I shall now hopefully resume with regular postings.) For the longest time I’ve been meaning to up [...]